Master Feung has spent a lifetime integrating Chinese wisdom traditions into a teaching so simple it disarms the seeking mind. When he addressed the United Spiritual Leaders Forum — speaking in Chinese, his words carefully translated for the international assembly — he did not offer complex techniques or esoteric knowledge. He offered something more radical: permission to be exactly who you are.
“We don’t need to learn others’ strengths or judge ourselves by others’ standards,” he told the gathering. “What we should do is sense and respond to things from our hearts. All life processes should be natural.”
For those who had spent years striving toward spiritual ideals, measuring themselves against masters and traditions, these words landed like liberation.
The Signature Moment
Master Feung’s most striking teaching came through a single image: humanity as a grand painting.
“As we understand the universe — the cosmic source gave birth to all things in the universe, including all galaxies, stars, and the earth, and humanity upon it. When we focus on humanity on the earth’s surface, among the 8 billion people, no two individuals are the same.”
He paused, letting the translators convey each phrase.
“Humanity as a whole is a grand painting. And every individual life is a small piece in this vast picture.”
Then came the teaching that shifted the room:
“Each individual, regardless of their unique position or how different they are from others, is perfectly suited in their place. From the perspective of the whole, everyone is exactly where they need to be.”
In a gathering dedicated to addressing global crisis — war, climate, inequality, suffering — Master Feung offered a reframe so complete it required silence to absorb. What if no one is in the wrong place? What if every being, however lost they appear, is exactly the piece the painting requires?
The Profoundness of the Teaching
Master Feung’s teaching unfolds across several interconnected realizations, each building upon the last.
The first is fundamental: “The greatest success in life is to achieve physical and mental health.” This recognition, which came to him in 2009, reorients the entire spiritual path. Before awakening, before service, before cosmic consciousness — health. The body-mind as foundation.
The second is directional: “Unity with the source is the ultimate destination of life.” Not achievement, not accumulation, not even enlightenment as personal attainment — but unity. Return. The wave recognizing it was always ocean.
The third is consequential: “After aligning with source, our lives will manifest a lasting inner joy. And at the same time, the heart of great love will naturally develop and manifest.”
Note the word “naturally.” Joy and love are not forced or cultivated. They arise as natural consequences of alignment. This is not spiritual work as effort. It is spiritual work as allowing.
And the fourth is perceptual: “Wherever one’s gaze falls, everything seen becomes appropriate, reasonable, aligned, and harmonious.”
This is not positive thinking or willful reframing. It is the natural perception of one aligned with source. The world has not changed. The seer has.
Lineage and Origin
Master Feung carries the inheritance of Chinese civilization — what he calls “Chinese culture including the wisdom of world human culture.” His 72 years have been devoted to integrating these streams into living practice.
His base in Xi’an places him at one of the ancient capitals of Chinese civilization, a city where Taoist, Buddhist, and Confucian traditions have mingled for millennia. Forum host Jia, who visited his cultural center there, described a five-floor space filled with his calligraphy and art — the teachings made visible through brush and ink.
He also guided her to Hua Shan, one of China’s five sacred mountains, a pilgrimage site for Taoist practitioners for over two thousand years. Master Feung does not merely teach wisdom traditions. He lives in their landscape, walks their holy ground, and transmits their essence through presence.
“A few years ago, we also received blessings from celestial beings,” he shared with the forum. The ancient and the cosmic meet in his teaching — rooted in tradition, open to what continues to arrive.
The Core Practice
Master Feung’s practice is deceptively simple: be yourself.
“If humans in the three-dimensional world want to live joyfully, the best starting point is being oneself.”
The obstacle is equally clear: “Imposing other standards upon oneself.”
This diagnosis applies not only to worldly standards — success, appearance, achievement — but to spiritual ones as well. The seeker who measures themselves against a master’s attainment, who compares their practice to others’, who strives toward an ideal self rather than inhabiting their actual self — this seeker suffers.
“What we should do is sense and respond to things from our hearts.”
The practice is responsiveness. Listening. Feeling. Acting from center rather than from imitation.
“All life processes should be natural.”
Natural does not mean passive. It means unforced. The tree does not strain to grow. The river does not struggle to flow. Master Feung invites practitioners to discover that same quality in human life — effort without efforting, movement without forcing, being without performing.
How This Teaching Addresses the Crisis
The forum convened around a recognition that the world is suffering. Political, economic, health, and relational crises multiply. The masters gathered to offer wisdom for this moment.
Master Feung’s teaching addresses the crisis through a radical reperception.
If “everyone is exactly where they need to be,” then the crisis itself is not a mistake. It is not evidence of cosmic failure or human depravity. It is the painting in this moment, containing exactly the elements required for what comes next.
This is not passivity in the face of suffering. Master Feung speaks of “selfless universal love” as the state humanity must ascend to, and he offers himself as a vehicle for transmission: “I hope to have the opportunity to share how to awaken selfless universal love within and eliminate negative energy.”
The teaching holds paradox: everything is perfectly placed, and transformation is needed. The grand painting includes both the suffering and its healing. Each being plays their part — including those called to elevate consciousness.
“Starting from this foundation, we can plan various events to share our deep insights into the universe and life, and elevate humanity’s collective consciousness through these exchanges.”
The Transmission Quality
Forum host Jia, who spent significant time with Master Feung in Xi’an, offered testimony that penetrates beyond his words to his being:
“He’s like enlightened. There’s just no self. He’s just like, ‘Anything can happen.’ And he’s just even with it.”
She paused, her voice carrying wonder.
“I’m like, ‘Oh wow.’ He’s like, ‘That was a cool thing.'”
This quality — what Jia calls “no self” — is the embodiment of Master Feung’s teaching. When one is aligned with source, when one is simply being oneself without imposing standards, when one trusts that everything is perfectly placed — what remains is this: equanimity. Availability. Presence.
“Anything can happen. And he’s just even with it.”
This is not detachment. It is the natural state of one who has realized the grand painting, who sees that every element belongs, who trusts the unfolding. From this place, response becomes effortless. Love becomes natural. Joy becomes constant.
Impact on Emerging Teachers
The younger teachers at the forum encountered in Master Feung a living demonstration of his teaching.
“I’ve spent years trying to become something,” one practitioner reflected. “A better teacher, a purer channel, a more advanced practitioner. Master Feung’s teaching — be yourself, don’t impose other standards — broke something open in me. What if I’m already the piece the painting needs?”
A healer working with clients on self-acceptance found Master Feung’s words immediately applicable: “So much suffering comes from people believing they should be different than they are. Master Feung gave me language for what I was already sensing — that healing isn’t about becoming someone else. It’s about being who you already are, naturally.”
Another emerging teacher noted the integration of body and spirit in his teaching: “He starts with health — physical and mental health as the greatest success. That’s so grounding. Before cosmic consciousness, take care of the body. That sequence matters.”
A practitioner who works with high-achievers in burnout reflected: “The phrase ‘all life processes should be natural’ became medicine for my clients. They’re forcing everything — their growth, their healing, their awakening. Master Feung points to another way.”
Ripple Effects: Teachings in Action
In meditation circles influenced by the forum, teachers have begun incorporating Master Feung’s “grand painting” contemplation — inviting practitioners to sense themselves as one piece in a vast picture, perfectly placed, exactly where they need to be.
Therapists working with shame and self-criticism have found his teaching on “imposing other standards” transformative. Clients are invited to investigate: whose standards are you measuring yourself against? What would it feel like to simply be yourself?
Artists in the gathering connected deeply with Master Feung’s calligraphy practice. One returned home and began creating with new permission — not striving for mastery, but allowing expression to arise naturally. “He’s been doing calligraphy for decades in his cultural center,” she noted. “The brush moves because the hand moves. That’s what ‘natural’ looks like after years of practice.”
In leadership development work, his teaching that “everyone is exactly where they need to be” has been introduced as a lens for team dynamics. Instead of trying to change people, leaders are invited to perceive the gift each person brings to the whole. The painting needs every piece.
Cross-Lineage Resonance
Master Feung’s teaching harmonized naturally with every stream flowing through the forum.
Where Master Sha spoke of joining hearts and souls together, Master Feung described the grand painting that holds all hearts and souls as essential pieces. Where Sai Maa taught about DNA activation and remembrance, Master Feung pointed to the natural process of being oneself — nothing to add, only standards to release. Where Yuan Miao sang of the Blue Pearl as humanity’s true nature, Master Feung affirmed that each being already is what they seek — perfectly placed, perfectly suited.
His description of “selfless universal love” as the state humanity must ascend to echoed every tradition present. And his recognition that “today’s forum is a very wonderful beginning” blessed the gathering with elder affirmation.
A Very Wonderful Beginning
When Master Feung concluded his teaching, he offered a vision:
“I hope to have the opportunity in the future to share in various destined places and with destined people how to awaken selfless universal love within and eliminate negative energy.”
Then he named what he saw in the gathering:
“Today’s forum — I feel it’s a very wonderful beginning. Starting from this foundation, we can plan various events to share our deep insights into the universe and life, and elevate humanity’s collective consciousness through these exchanges.”
At 72, having inherited Chinese culture and received celestial blessings, having built a five-floor cultural center in Xi’an and walked the sacred paths of Hua Shan, Master Feung recognized the forum for what it was: a new piece in the grand painting. A beginning.
Not a culmination. Not an achievement. A beginning — wonderful precisely because of what it makes possible.
An Invitation
For those who feel called to explore Master Feung’s teachings — his calligraphy, his cultural work, his transmission of Chinese wisdom — his art and offerings are available at art-center.gloje.com
