When Miyuki addressed the United Spiritual Leaders Forum, she offered a teaching so simple it cut through every complexity the gathering had surfaced. Amid discussions of DNA activation, dragon meridians, cosmic consciousness, and planetary crisis, she pointed to something irreducible:
“The sound only tells the truth. And sound never tells a lie. Just a vibration frequency.”
In a world drowning in words — opinions, arguments, manipulations, spin — Miyuki works with what cannot deceive. Vibration. Frequency. The pure mathematics of resonance moving through the body before the mind can intervene.
The Signature Teaching
Miyuki’s path to the forum came through Mickey, her fellow Kyoto practitioner. But what she brought was entirely her own: a practice centered on an instrument called the soul sound and frequencies calibrated to specific healing purposes.
“I play the instrument called soul sound, which vibrates and channels to your soul. The frequency is 432 Hz, or the solfeggio frequency of love — 528 — and 396.”
Each frequency carries distinct medicine:
432 Hz — Known as the natural tuning, mathematically consistent with the patterns of the universe. Music tuned to 432 Hz is said to be calmer, more harmonious, easier for the body to receive than the standard 440 Hz tuning adopted in the 20th century.
528 Hz — Called the “love frequency” or “miracle tone.” Research has associated this frequency with DNA repair and transformation. It sits at the heart of the ancient Solfeggio scale, used in sacred music for centuries.
396 Hz — The frequency associated with liberating guilt and fear, clearing the obstacles that prevent authentic expression.
Miyuki does not merely play these frequencies. She creates space for people to meet themselves within them.
The Practice of Being
What distinguishes Miyuki’s work is its purpose. She does not use sound to fix or improve. She uses sound to reveal.
“My work is through sound to provide the opportunity to be truly yourself for that moment.”
This framing shifts everything. The sound is not the healer. The sound creates conditions in which self-healing becomes possible. The frequency does not add anything to the listener. It removes the static, the interference, the noise — and what remains is the person, truly themselves.
“I organize workshops to meet in the sound,” she explained, “and not to act on, but just to be yourself.”
Not to act on. Just to be.
In a culture that demands constant action, improvement, optimization, Miyuki offers permission to stop. To rest in vibration. To let the sound do what sound does — tell the truth — and to discover what truth emerges when we finally stop performing.
Sound as Truth-Teller
Miyuki’s central insight deserves sustained attention:
“The sound only tells the truth. And sound never tells a lie.”
What does this mean?
Sound is physics. A frequency either resonates or it doesn’t. A vibration either harmonizes with another vibration or creates dissonance. There is no opinion involved, no interpretation, no agenda. The waveform moves through space according to laws older than language.
When that waveform meets a human body, the body responds. Not the mind’s idea of the body — the actual body, with its own frequencies, its own tensions, its own places of holding and release. The sound finds what is true in the tissue. It cannot be fooled by what we think we feel or who we believe ourselves to be.
In Miyuki’s workshops, participants discover what the sound reveals. Sometimes it is peace. Sometimes it is grief that has waited years for permission to surface. Sometimes it is joy so simple it brings tears. The sound tells the truth. The listener receives what is ready to be known.
Resonance with the Forum’s Teachings
Miyuki’s offering harmonized naturally with what other masters brought to the gathering.
Master Sha’s Love Peace Harmony mantra works through sound — the vibration of voice joining hearts and souls. Yuan Miao’s Blue Pearl song transmitted teaching through melody before any word was explained. Master Feung’s calligraphy carries the energy of brushstroke, but sound is the sister art — both working below concept, directly with frequency and form.
Sai Maa’s teaching on DNA activation finds a complement in the 528 Hz frequency Miyuki employs — the tone associated with genetic repair. The forum’s collective intention to “elevate consciousness” aligns with what Miyuki offers: elevation not through effort but through resonance, not through learning but through being.
And Mickey’s teaching — “the most important thing is fully being myself 100%” — finds its echo in Miyuki’s invitation: “just to be yourself.” The two Kyoto practitioners, though working with different modalities, point to the same truth.
The Workshop as Sacred Space
Miyuki does not perform for audiences. She creates containers.
“I organize workshops to meet in the sound.”
The language is precise. Participants do not come to watch Miyuki play. They come to meet — themselves, each other, the sound itself. The soul sound instrument becomes a gathering point, a frequency around which humans can orient and discover what is true.
“Not to act on, but just to be yourself.”
In these workshops, there is nothing to achieve. No state to reach. No experience to manufacture. The sound holds the space. The participants rest in that holding. What emerges, emerges.
This is radical in a spiritual marketplace filled with promises of transformation, breakthrough, and attainment. Miyuki promises nothing except truth — the truth the sound tells, the truth the body knows, the truth that surfaces when we stop acting and simply be.
Impact on Fellow Practitioners
The sound healers and musicians at the forum recognized in Miyuki a kindred commitment. Her specificity about frequencies — 432, 528, 396 — offered technical grounding for those whose work sometimes floats in vague claims of “healing vibration.”
Emerging teachers found in her clarity a model for articulating their own gifts. What is the essence? What does the practice actually offer? For Miyuki: the opportunity to be truly yourself. Sound that tells the truth. Being rather than acting.
Practitioners working with trauma noted the relevance of her approach. Traumatized bodies hold lies — stories of worthlessness, danger, shame that became encoded in the nervous system. Sound that “never tells a lie” can reach below these false encodings, vibrating at frequencies that remind the tissue of its original nature.
The Kyoto Convergence
That both Mickey and Miyuki work from Kyoto is not coincidental. The ancient capital holds spiritual energy accumulated over more than a thousand years — temples, shrines, sacred mountains, gardens designed for contemplation. The city’s pace allows for the kind of presence both practitioners embody.
Their friendship and collaboration — Mickey introducing Miyuki to the teachings that changed her own life — demonstrates how awakening spreads. One life touches another. One channel opens and creates conditions for another to open. The forum gathering was simply this pattern at larger scale: masters and emerging teachers meeting, recognizing, supporting.
From Kyoto to the world, the frequencies ripple outward.
An Invitation to Truth
In a world of noise, Miyuki offers signal. In a culture of performance, she offers being. In a spiritual landscape sometimes cluttered with complexity, she offers the elegant simplicity of vibration.
“The sound only tells the truth. And sound never tells a lie.”
For those exhausted by words, the soul sound waits. For those who have forgotten who they are beneath the roles and expectations, the frequencies hold memory. For those ready to stop acting and simply be — Miyuki’s workshops offer a meeting place.
The sound is already vibrating. The truth is already present. The invitation is simply to arrive, to listen, and to discover what the sound reveals about who you have always been.
Miyuki offers sound healing sessions and workshops from Kyoto, Japan, working with the soul sound instrument and solfeggio frequencies. For those drawn to meet in the sound, inquiries can be made through the United Spiritual Leaders Forum network.
